濟(jì)南視頻拍攝怎么拍出高級(jí)感

　　「短視頻」給了我們一個(gè)的展示才能的新方式，每個(gè)人都可以成為生活的導(dǎo)演，每個(gè)人都可以通過(guò)影像的方式來(lái)講述自己的故事，但是目前大部分人遇到的一大難題是：不 會(huì) 拍！

　　Short videos have given us a new way to showcase our talents. Everyone can become a director of life, and everyone can tell their story through images. However, a major challenge that most people currently face is not being able to film!

　　其實(shí)拍視頻不管是上天還是下水，不管是拍產(chǎn)品還是普通的生活記錄，入門短視頻就必須學(xué)會(huì)運(yùn)鏡。

　　In fact, whether it's shooting videos in the sky or underwater, whether it's shooting products or ordinary life records, learning how to use the camera is essential for beginners in short videos.

　　運(yùn)鏡作為視頻表達(dá)的一種手法，是短視頻創(chuàng)作者必須掌握的一項(xiàng)重要技能，但也別把它想得那么“高大上”。

　　As a technique of video expression, mirror manipulation is an important skill that short video creators must master, but don't think of it as too "high-end".

　　其實(shí)，運(yùn)鏡離不開(kāi)最基礎(chǔ)的推、拉、搖、移、甩升降，只要掌握這幾個(gè)基礎(chǔ)運(yùn)鏡技巧，基本上就可以滿足我們大部分短視頻內(nèi)容的拍攝。

　　In fact, mirror movement cannot be separated from the most basic techniques of pushing, pulling, shaking, moving, and swinging up and down. As long as we master these basic mirror movement skills, we can basically meet the shooting needs of most of our short video content.

　　今天這期內(nèi)容，我將分享一些簡(jiǎn)單易上手的手機(jī)運(yùn)鏡技巧，幫助大家拍出更加高級(jí)的短視頻內(nèi)容。

　　In today's episode, I will share some simple and easy-to-use mobile camera operation techniques to help you shoot more advanced short video content.

　　1/.如何拍得穩(wěn)？

　　1/. How to shoot steadily?

　　相信每位學(xué)短視頻拍攝的同學(xué)，都知道借助穩(wěn)定器來(lái)增加畫(huà)面穩(wěn)定性，但是也有很多朋友并沒(méi)有穩(wěn)定器，所以只能通過(guò)手持運(yùn)鏡拍攝。

　　I believe every student who studies short video shooting knows how to use stabilizers to increase image stability, but there are also many friends who do not have stabilizers, so they can only shoot through handheld camera movements.

　　相比于借助穩(wěn)定器拍攝，手持運(yùn)鏡的優(yōu)勢(shì)是操作更為靈活。需要注意的是，我們?cè)谑殖诌\(yùn)鏡拍攝時(shí)要保持手機(jī)的平衡穩(wěn)定，握持手機(jī)的姿勢(shì)可以參考我下面的動(dòng)作：

　　Compared to shooting with stabilizers, the advantage of handheld camera is that it is more flexible to operate. It should be noted that when shooting with handheld camera, we need to maintain the balance and stability of the phone. The posture of holding the phone can refer to the following actions:

　　當(dāng)然，手機(jī)始終還是過(guò)于輕薄，當(dāng)我們走動(dòng)進(jìn)行拍攝時(shí)，手機(jī)Z軸的抖動(dòng)會(huì)非常明顯，所以如果沒(méi)有穩(wěn)定器同學(xué)，可以像我一樣借助「八爪魚(yú)支架」，把它調(diào)整到自己舒適的握持角度來(lái)進(jìn)行拍攝，這樣可以一定程度保持手機(jī)的穩(wěn)定性。

　　Of course, mobile phones are still too thin and light. When we walk around for shooting, the Z-axis shake of the phone will be very obvious. Therefore, if there is no stabilizer, students can use the "Octopus Bracket" like me to adjust it to their comfortable grip angle for shooting, which can maintain the stability of the phone to a certain extent.

　　如果是長(zhǎng)時(shí)間拍攝一些跟隨動(dòng)作，我們也可以借助「手機(jī)兔籠」來(lái)增加握持感，這樣可以更好的保持運(yùn)鏡的平穩(wěn)。

　　If it is a long-term shooting of some follow-up actions, we can also use a "mobile phone rabbit cage" to increase the grip, which can better maintain the smoothness of the camera movement.

　　2/.推鏡頭

　　2/. dolly in

　　在很多電影中，導(dǎo)演都會(huì)使用推鏡頭的方式讓觀眾從一個(gè)大場(chǎng)景逐步聚焦到某一局部之上，從而達(dá)到烘托畫(huà)面情緒的目的。

　　In many movies, directors use the technique of pushing the camera to gradually focus the audience from a large scene to a specific part, in order to enhance the mood of the image.

　　推鏡頭可以是通過(guò)變焦的形式，也可以是通過(guò)向前運(yùn)鏡的形式來(lái)實(shí)現(xiàn)，但是手機(jī)的變焦是數(shù)碼變焦，放大變焦后畫(huà)質(zhì)會(huì)有所下降。

　　Pushing the lens can be achieved through zoom or forward movement, but the zoom of mobile phones is digital zoom, and the image quality may decrease after zooming in and out.

　　所以我們最好是采用向前運(yùn)鏡的方法來(lái)拍攝推鏡頭。

　　So it's best for us to use the method of moving the camera forward to shoot the push lens.

　　向前運(yùn)鏡的動(dòng)作要領(lǐng)是：放低重心，弓步后仰，留足向前的距離，手部固定不動(dòng)，使用腰部發(fā)力向前推，把自己當(dāng)作一個(gè)人肉云臺(tái)，這樣拍出來(lái)的畫(huà)面就會(huì)更加的穩(wěn)定。

　　The key to moving the camera forward is to lower the center of gravity, take a bow and tilt back, leave enough distance forward, keep your hands fixed, use your waist to push forward, and treat yourself as if you were a person. This way, the captured image will be more stable.

　　3/.拉鏡頭

　　3/. zoom out

　　拉鏡頭和推鏡頭動(dòng)作相反，拉鏡頭通常可以拍攝一些人物與環(huán)境關(guān)系的畫(huà)面。

　　Pulling the camera is the opposite of pushing the camera. Pulling the camera can usually capture images of the relationship between characters and the environment.

　　比如，可以找到一些合適的空境，人物站在前面，手機(jī)先固定拍攝空境，再向后拉出來(lái)，這樣拍出來(lái)的畫(huà)面內(nèi)容更為豐富。

　　For example, you can find some suitable scenes, where the character stands in front and the phone first captures the scene in a fixed position before pulling it back, resulting in a richer content of the captured image.

　　通過(guò)這種拍攝手法可進(jìn)一步渲染畫(huà)面氛圍，適合去拍攝旅行途中的人物與環(huán)境。

　　This shooting technique can further enhance the atmosphere of the image, making it suitable for capturing people and environments during travel.

　　4/.搖鏡頭

　　4/. Shake the camera

　　在電影中搖鏡頭通常用于空間的轉(zhuǎn)換，或者是被攝主體的變換，引導(dǎo)觀眾視線由一處轉(zhuǎn)到另一處，完成觀眾注意力和興趣點(diǎn)的轉(zhuǎn)移。

　　In movies, camera shake is usually used for spatial transitions or subject changes, guiding the audience's gaze from one place to another and completing the transfer of attention and points of interest.

　　因?yàn)槭謾C(jī)足夠輕便，所以我們可以隨意的轉(zhuǎn)變鏡頭方向，讓畫(huà)面的興趣點(diǎn)快速的切換，可以更好的交代場(chǎng)景和人物的關(guān)系。

　　Because mobile phones are lightweight enough, we can easily change the camera direction and quickly switch the points of interest in the picture, which can better illustrate the relationship between the scene and the characters.

　　?結(jié)合揺鏡頭的快速轉(zhuǎn)動(dòng)可以變成甩鏡頭，可以通過(guò)鏡頭的方向銜接甩動(dòng)，來(lái)制作出這種無(wú)縫轉(zhuǎn)場(chǎng)的效果。

　　Combined with the rapid rotation of the shake lens, it can be transformed into a shake lens, which can be seamlessly transitioned by connecting the direction of the lens with the shake motion.

　　5/.移鏡頭

　　5/. Move the camera

　　移鏡頭在電影中可以表現(xiàn)出一種流動(dòng)感，使觀眾產(chǎn)生一種置身于其中的感覺(jué)，增強(qiáng)畫(huà)面的感染力。

　　Moving the camera in a movie can create a sense of fluidity, making the audience feel like they are immersed in it and enhancing the emotional appeal of the image.

　　左右平移鏡頭的拍攝方法是跟推鏡頭相同，同樣是使用跨部發(fā)力，向左或者右平移。

　　The shooting method of shifting the lens left and right is the same as pushing the lens, using cross body force to shift left or right.

　　適當(dāng)借助一些前景可以更好的烘托畫(huà)面氛圍，比如我這里借助旁邊觀眾的肢體作為前景來(lái)帶入下象棋的這個(gè)氛圍。

　　Appropriately utilizing some foreground elements can better enhance the visual atmosphere, such as using the body parts of the audience nearby as foreground elements to bring in the atmosphere of playing chess.

　　長(zhǎng)距離的左右移鏡頭拍攝時(shí)同樣要放低重心，走太極步，平穩(wěn)向前運(yùn)鏡。

　　When shooting with a long left and right shift lens, it is also necessary to lower the center of gravity, take Tai Chi steps, and smoothly move the camera forward.

　　除了左右的平移，也可以是上下的平移，也就是升降鏡頭。

　　In addition to left and right translation, it can also be up and down translation, that is, lifting the lens.

　　在拍攝的時(shí)候舉高手機(jī)，手臂固定不動(dòng)，身體下蹲來(lái)做下降運(yùn)鏡，或者借助兔籠的提壺，來(lái)做升降動(dòng)作。

　　When shooting, raise your phone high, keep your arms fixed, squat down to do the downward movement of the camera, or use the rabbit cage's lifting pot to do the lifting action. ?

　　簡(jiǎn)單總結(jié)一下，在運(yùn)鏡中最重要的是要足夠的穩(wěn)，要把身體當(dāng)作一個(gè)云臺(tái)來(lái)控制手機(jī)的運(yùn)鏡，所以在運(yùn)鏡的過(guò)程中能用腰的絕不用手，腰不行的晚上去整點(diǎn)“來(lái)了老弟”補(bǔ)一下！

　　To sum up, the most important thing in a mirror is to be stable enough. You need to use your body as a gimbal to control the movement of your phone's mirror. Therefore, during the mirror movement, you should never use your hands if you can use your waist. If your waist is not strong, go to "here, buddy" at night to make up for it!

　　總之就是姿勢(shì)越奇怪運(yùn)鏡就越穩(wěn)，今天這些運(yùn)鏡技巧是我自己在日常拍攝中總結(jié)的一些經(jīng)驗(yàn)，大家可以參考一下。

　　In short, the stranger the posture, the more stable the camera movement. Today, these camera movement techniques are some of my own experiences summarized in daily shooting, and everyone can refer to them.

　　運(yùn)鏡技巧是我們?nèi)腴T短視頻創(chuàng)作的必修課，要想成為優(yōu)秀的短視頻創(chuàng)作者，我們還需要學(xué)習(xí)更多的技能，如果你們能關(guān)注+點(diǎn)贊+分享，后續(xù)我還將分享更多手機(jī)短視頻拍攝、剪輯的技巧。

　　Mirror manipulation skills are a compulsory course for us to start creating short videos. To become an excellent short video creator, we need to learn more skills. If you can follow, like, and share, I will also share more techniques for shooting and editing mobile short videos in the future.

　　本文由  濟(jì)南視頻拍攝 友情奉獻(xiàn).更多有關(guān)的知識(shí)請(qǐng)點(diǎn)擊  http://www.btboxs.com/  真誠(chéng)的態(tài)度.為您提供為全面的服務(wù).更多有關(guān)的知識(shí)我們將會(huì)陸續(xù)向大家奉獻(xiàn).敬請(qǐng)期待.

　　This article was filmed by Jinan Video for Friendship Dedication For more related knowledge, please click http://www.btboxs.com/ Sincere attitude To provide you with comprehensive services We will gradually contribute more relevant knowledge to everyone Coming soon.